Crystal Correa - HoustonNewMedia.org https://houstonnewmedia.org/author/crystal-correa/ Building "Bridges" Across the Bayou City! Wed, 21 Apr 2021 23:16:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 https://i0.wp.com/houstonnewmedia.org/wp-content/uploads/2022/11/cropped-cropped-Houston.png?fit=32%2C32&ssl=1 Crystal Correa - HoustonNewMedia.org https://houstonnewmedia.org/author/crystal-correa/ 32 32 103504436 The History of Craft and How Artisans Created America — Glenn Adamson’s New Book Gets a Texas Moment https://houstonnewmedia.org/the-history-of-craft-and-how-artisans-created-america-glenn-adamsons-new-book-gets-a-texas-moment/?utm_source=rss&utm_medium=rss&utm_campaign=the-history-of-craft-and-how-artisans-created-america-glenn-adamsons-new-book-gets-a-texas-moment Wed, 21 Apr 2021 23:16:40 +0000 https://www.papercitymag.com/?p=337375 There’s nothing like wrapping yourself in a crocheted or handwoven textile, seeing the ridge marks of evenly spaced fingers on clay that has been delicately turned into a useful ceramic piece, or basking in the mystical properties of Native Ameri...

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Inside Dallas’ Sweet Tooth Hotel — How an Immersive Art Wonderland is Adapting and Changing https://houstonnewmedia.org/inside-dallas-sweet-tooth-hotel-how-an-immersive-art-wonderland-is-adapting-and-changing/?utm_source=rss&utm_medium=rss&utm_campaign=inside-dallas-sweet-tooth-hotel-how-an-immersive-art-wonderland-is-adapting-and-changing Tue, 20 Apr 2021 02:50:59 +0000 https://www.papercitymag.com/?p=326235 “Intangible, A Fiber Fairytale” is a colorful, fiber-filled getaway to explore at the immersive Dallas art experience known as Sweet Tooth Hotel. Before the pandemic, visitors were encouraged to interact with the art. Now, sadly, viewers ma...

The post Inside Dallas’ Sweet Tooth Hotel — How an Immersive Art Wonderland is Adapting and Changing first appeared on HoustonNewMedia.org.

The post Inside Dallas’ Sweet Tooth Hotel — How an Immersive Art Wonderland is Adapting and Changing appeared first on HoustonNewMedia.org.

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